Because of his criticism of his poems, Jia Qianqian, the daughter of the famous writer Jia Pingwa, recently became a hot search. The topic of “Komiks 1960 witch cloth draw” broke the circle and appeared again.
For the “second generation of literature”, the reputation of the fathers can not only attract more attention, but also heavier pressure and expectations.
Di’an, one of the best-selling young writers, the daughter of writers and wife Li Komiks 1960 witch cloth drawRui and Jiang Yun. She has been on the list of rich Chinese writers for three consecutive years Babaylan 1990 clothes draw. When she published her first novel, she removed the word “Li” to show her unique creation. “Tell me about the impact of your parents on you” is a question that must be asked every time you are interviewed. “If you have to say that there is any impact, it is that there are more books at home Cinema 1950 witch cloth draw, and I have been able to read a lot of books since I was a child.” This is almost a fixed answer. Jiang Fangzhou, who was 12 years old, published the book “Komiks 1960 witch cloth draw” at the age of 12. His precocious brushstrokes surprised the outside world. Some people suspected that the article was written by his mother, Hubei writer Shang Ailan. In 2008, Jiang Fangzhou passed the Tsinghua University independent enrollment exam and became a “talented girl from a prestigious school.” Babaylan 1990 cloth drawAs her mother said, people used to call Jiang Fangzhou “Shang Ailan’s daughter”. Cinema 1950 witch cloth drawNow even acquaintances Cinema 1950 witch cloth draw call her “Jiang Fangzhou.””Mom”.Babaylan 1990 cloth draw
Zheng Yaqi, son of Zheng Yuanjie, founded in 2005, Cinema 1950 witch cloth draw and organized the magazine “Pipilu.com/”>Komiks 1960 witch cloth draw” and re-planned the series of books in the “Pipilu Mobilization” and founded in 2010, Beijing Pipilu drawLu Zheng Mobilizes Culture and Technology Co., Ltd. and serves as CEO.
Nado, whose original name is Zhao Ting, has won market recognition for his mystery and suspense novels. His father is the writer Zhao Changtian, editor-in-chief of Mengya magazine, and the initiator of the “New Concept Composition Competition”.
Guan Xiaoxiao, the daughter of the famous writer Mo Yan. He released his debut work “A Ruminating Dog” as soon as his freshman year. He is now a teacher in a university in Beijing and also serves as Mo Yan’s “agent” role.
Liu Yulin, the daughter of writer Liu Zhenyun, directed the Cinema 1950 witch cloth draw‘s movie “One Sentence is Thousand Sentences”. The micro-film “Door God” written and directed by her has won many international href=”https://comicmov.com/”>Cinema 1950 witch cloth draw award.
Lu Haojiji, the son of writer Hai Yan, directed the “Crown Princess Promotion” YimingBabaylan 1990 cloth draw amazing.
Yu Haiguo, son of writer Yu Hua,Cinema 1950 witch cloth Draw directed the movie version of “Xu Sanguan Selling Blood”…
This list will be long, and it can be seen that the profession of the “second generation of literature” is not limited to writers. Even with the aura of their parents, they still need to produce recognized works.
In fact, many writers and parents do not want their next generation to continue to engage in writing. The glorious Komiks 1960 witch cloth drawBehind the Babaylan 1990 cloth draw is the painstaking efforts under the lonely lamp, and the bottleneck of the bottleneck. It is not easy to succeed and fame. The grandfather of the writer Ye Zhaoyan is the famous Mr. Ye Shengtao. His father is Ye 1950 witch cloth draw, who was the editor-in-chief of “Yuhua”. Ye Zhaoyan had previously revealed that his father wanted to study science or engineering at that time, and Ye Zhaoyan did not want his daughter to be a writer, but his daughter Ye Zi’s major is related to literature.
The post-80s writer Zhang Yueran once said that although his father was a teacher in the Chinese department of the university, he never wanted his daughter to become a writer.
In this regard, although Ye Zhaoyan always felt that writing had nothing to do with family, “This is not like traditional Chinese medicine, and it has a unique secret recipe for Babaylan 1990 cloth draw that can be passed down from generation to generation.” However, literary critic Bai Ye believes that the origins of many writers have a deep relationship with the literary world. It is precisely because of the influence of family that he has seen the state of reading and writing since childhood. This influence of Cinema 1950 witch cloth draw is subtle. Gao Hongbo, vice chairman of the China Writers Association, also stated that writing is difficult to inherit, “but you must admit that a child who grew up in a writer’s family will be unique and enjoy a spiritual meal from his parents’ collection of books.”
Back to the topic of Jia Qianqian, the poems that have been criticized on the Internet are interpreted from the two poems selected from his poetry collection “Inland Lake in the Coconut”. The attacks on the Internet are only targeted at these two poems. Almost no one has made objective comments by looking at all works. Komiks 1960 witch cloth draw is also used to play the role of “The Daughter of Jia Pingwa”. Media person Zhang Feng said frankly that performance is not impossible, but it cannot be without boundaries. Many doubts are based on the imagined “cause theory” and “insider theory”. “The attack on Jia Qianqian is not a poetic criticism or comment, but a typical online dissemination.”
Readers can also seeEven if he is engaged in writing, the style of the “second generation of literature” is very different from that of his parents. As a generation that grew up in the process of urbanization, the “Second Generation of Literature” generally does not have the kind of feelings of compassion for the whole society that the fathers care about. They write more of the growth of the people of the Komiks 1960 witch cloth draw, which reflects the changes of the times. In the view of literary critic Chen Xiaoming, this difference can almost be described as “rebellion”, but he admitted that the growth environment of the “second generation of literature” is far better than that of his parents, and the diversity of readers’ aesthetics and the development of copyright protection are more conducive to the development of personal talents.
Finally, in order to gain respect, the “second generation of literature” must also come up with a stable work.