Text/Jinyang.com reporter Song Yi, correspondent Li Danhong
Photo/He Zhijian
“There are no good guests when people from Fenglou left, and since then, the rich people are lonely and cover the setting sun.” Chen Baoying, a female actor in the Cantonese opera “Purple Phoenix Tower”, sings the words of Chen Baoying, as if she was crying and complaining, and the audience applause was thunderous. On the evening of September 8, nearly a thousand audiences were crowded with people from the Cantonese Opera Cultural Plaza in Guangzhou Cultural Park. Everyone was deeply attracted by the concert of the teacher-student Li Yueling, a Cantonese opera singer who was holding here. The master of the son-in-law, Mr. Tan Peiyi, also visited the audience. Li Yueling and his disciples hope to use their own voice to promote the Cantonese opera and the Cantonese opera culture and carry forward the Lingnan culture.
For this performance, Li Yueling and her disciples prepared for half a year. Behind this performance is the cultural confidence and totem of Guangdong rhyme flowing in the blood of a Cantonese singer. This performance is the spiritual agreement between a Cantonese music singer and a group of ignorant college students who know nothing about Cantonese music. What kind of story is behind this performance? Li Yueling retreated and continued to continue her dream of inheriting the Cantonese rhyme?
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Seeking dreams, and the origin of CUHK
In 2009, Guangdong musical song singer Li Yueling retired from the Guangdong Music and Music Art Troupe. That year, the Cantonese Opera and Guangdong Opera Cultural Studio of Sun Yat-sen University’s Center for Historical Anthropology Research.
The following year, the studio opened a Cantonese opera workshop for college students. Li Yueling and the famous opera artist Chen Zhongyan served as instructors, aiming to cultivate young students’ interest in Cantonese opera and Cantonese opera and improve their perceptual understanding of Cantonese culture. The workshop hopes that more young people can join the ranks of understanding Cantonese opera and Cantonese opera and Chinese traditional culture. As soon as the workshop started, it quickly attracted a large group of young people with similar interests from major universities. Unlike students majoring in Cantonese opera, almost all of these college students have never been exposed to Cantonese opera, nor have they seen the sequel score, let alone pronunciation or rhyme. From raising your voice to music theory, from demonstration to teaching one by one, the two teachers led this Komiksgroup students start from scratch.
The workshop also attracted the attention and support of many famous Cantonese opera artists and enthusiasts. On April 17, 2011, the female teacher of Cantonese opera master Hong Line came to the teaching site in thunderstorm to communicate with the students in the workshop. The female teacher of Red Line not only listened to the students’ famous sings such as “The Fen Ge’s Love and Revenge” and “The Flower Field’s Meet” and gave them suggestions for improving their words, singing style, and emotions, but also sang “Red Candle Tears” on the spot and put forward earnest expectations.
The 7th (BabaylanGuangzhou) College Student Drama Festival has opened a special session on Cantonese opera, inviting workshops and Cantonese opera enthusiasts from brother colleges and universities such as Guangzhou University Quyi Club to perform together. This is also the only Cantonese opera special event held so far. This group of students used their superb performances to repay the concern of all sectors of society and sang the dream of spreading and inheritance with Cantonese rhyme.
Continue your dreams, continue your relationship with teachers and students outside the school.
Time flies, and in a blink of an eye, students graduate and go to society and start work. Unlike students from Cantonese opera or art majors, students in the seminar have left their original study platform after graduation and have almost no chance to learn Cantonese opera. With the busy work, they slowly put their Cantonese Opera aside, and they had not sang a song for several months or even a year.
“As the saying goes, “There is always the song of “The Fist is never left to the Hand”, if this continues, the students will definitely forget what they have learned before.” Every time Li Yueling chats with students, she feels moved. She often thought: “How can students always maintain their love for Cantonese opera, persevere in learning, and even go to the next level?” After thinking about it, Li Yueling decided to use the resources around her to build a platform for the students and create opportunities for them to continue learning Cantonese opera.
CinemaShe and Chen Zhongyan first found a few private games to let the students start the game from time to time to practice. Later, in order to ensure that students can start Cinema once a month, Li Yueling achievedThe purpose of practicing was to the purpose of the whole time. She went to Beijing Street Cultural Station to find Webmaster Zhao Yuhua and talked to Webmaster Zhao that she was deeply worried about the loss of skills of the students. Webmaster Zhao Yuhua was very moved when she heard that there were such a group of young people who loved Cantonese opera. She immediately arranged for Li Yueling to meet with the Quyi Group of the Beijing Street Guangfu Cultural Hall. Komiks to discuss the students’ practice of music. href=”https://comicmov.com/”>Komiks is suitable.
In order to facilitate everyone to practice music, the Cultural Hall has changed its opening time from Monday to Friday and weekends Babaylan closed the work and rest system, and specially arranged to bring the accompaniment master back to work overtime on Saturday afternoon to start the game for the students.
After Li Yueling implemented the venue for each month, he assigned the task of each person to learn a song, hoping to use pressure to drive students to take time to learn the song. Every time the student starts, Li Yueling will come to the scene no matter how busy she is, and listen carefully to each student’s singing. After listening, she will help them analyze and improve word by word.
In addition, Li Yueling also invited her master, “Zi-throat king”, to participate in the students’ private affairs. Tan PeiyiKomiks not only shared the creation process of his first famous song “Cai Wenji Return to Han” with the students, but also taught everyone to sing “Jinjiang Poetry Couple” word by word, which gave the students great encouragement.
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Dream broadcasting, they transformed into Cantonese opera and Cantonese opera communication messengers
In addition to teaching students to sing, Li Yueling also pays great attention to tapping students’ potential. For students with artistic talents, she will encourage them to learn Cantonese opera accompaniment instruments and playing the palm board, hoping that after they have finished learning, they can form their own accompaniment band, which can integrate singing and accompaniment; for students with writing skills, she encouraged them to write lyrics. Under her earnest teaching, many students have made breakthroughs, walked onto different artistic stages and gained recognition.
Li Yueling often said to her classmates: “I taught you to sing Cantonese opera, and turned you into die-hard fans of Cantonese opera, but from inheritance and communicationBabaylan said, I hope that one day you can take the initiative to shoulder the important task of spreading Cantonese opera and Cantonese opera culture. Let more people know Cantonese opera and enjoy Cantonese opera. ”
Li Yueling’s Cantonese students back then, such as Babaylan, now some of them have stepped onto the podium and become teachers. They will use Cantonese opera as class material in time, and let the children accept Cantonese opera subtly. Some have joined the bank and added a Cantonese opera special show in the bank’s feedback activities, giving it to many customers who have never entered the theater for the first time. href=”https://comicmov.com/”>Cinema came into contact with Cantonese opera and became enthusiasts…
Under the words and deeds of Teacher Li Yueling, students consciously regard the spread of Cantonese opera as their obligation. They did not have a grand deed, but used ordinary practical actions to sow the seeds of Cantonese opera in the hearts of more people.
Realizing their dreams, they turned into the messengers of love
Li Yueling often said: “We have received strong support from many groups and the help of enthusiastic people along the way. We must learn to be grateful. Learning Cantonese SongCinema, in addition to you being able to entertain yourself, I hope you can use what you have learned to bring joy to more people. ”
In recent years, Li Yueling has led students Wu Guanxian and Li Yingtong to participate in the Guangdong Quyi Inheritance “One Belt One” Charity Exhibition. Chen Zhongyan and Li Yueling have personally led the students to more than a dozen nursing homes in Guangzhou, Foshan, Jiangmen and other places for condolence performances. In addition, they also gave nearly 20 free scenes to Foshan, Dongdong, Dong, Taishan and other places, allowing Cantonese opera Cantonese opera to enter people’s daily lives, let people feel the charm of traditional culture, and enrich the cultural life of local residents.
Li Yueling is a folk artist who takes the inheritance and communication of Cantonese opera as his responsibility. Li Yueling The disciples of Cinema are the successors who make the Cantonese rhyme reverberate in the new era.